The modern world is filled with talented people who, for whatever reason or reasons, have never made it into the limelight. Lili Aňel is one of those people. Lili and I have been good friends since 1977. Therefore whatever I write may seem totally bias. However, I am one of the consistant few who have watched her amass all the credits on her resume. And believe me it's quite a list. Long before she ever recorded, her performances were favorably reviewed by Stephen Holden of the New York Times . In the 80's, after being nominated twice, she was the winner of a New York Music Award as Best Unsigned Artist. She has opened for and shared the stage with Richie Havens, Odetta, Roger McGuinn (The Byrds), Susan Vega, Pat Dinizo (Smithereens), Boz Scaggs, Joan Baez and her long admired friend Garland Jeffreys. The list of names is longer than I can recall but if you're reading this I'm sure you get the picture.
Getting back to Tuesday night, I ditz-ed out thinking I would be arriving at The Living Room early. The problem was that I didn't pay attention; the invite for the show stated it was at 7:00 not 7:30. I walked in on Lili's beautiful old fashion ballade “Won't You Stay.” As usual Lili had the complete attention of the audience which is often hard to do in a place like The Living Room.
The next song was “ So Far Away,” a song Lili wrote with her twin sister Barbara who is also an accomplished musician. Barbara was in the audience. AND it was true to form that Lili had to rib her. She started her ribbing by stating that her mother bought Barbara a piano first before she gave Lili money for a guitar. Then she ribbed Barbara by talking about how Barbara learned classical music and how she was a type “A” personality. I laughed, Barbara smiled. It's always been a funny thing between the two sisters done with much love. When I covered Tegan and Sara's Town Hall Concert, I mentioned the same sort of thing in depth about how sisters love to rib each other. I still find it funny.
Lili's current band configuration is a small trio consisting of Lili on guitar along with percussionist Jim Armstrong and bassist Mike Kurman. Jim wonderfully compliments Lili's music by paying strong attention to her melodies and underlining their nuances with strong and subtle rhythms. Mike plays a mean bass – his playing is fluid but he can funk out with the best of them. He did both for his solo during the song “Thin Line.” (I could have really seen him funk out on Temporary Amnesia but remember I was late). John is another one of those musicians who I have seen in recent months performing on stage barefoot. The other two were Mika and Harley Prechtel Cortez of Red Cortez. The first time I noticed a performer do the barefoot thing was Boy George at Madison Square Garden in the 80's. So, for future articles, I am going to pen going barefoot as BGS, Boy George Syndrome.
As a special guest, Lili invited studio musician and jingle writer Gary Schreiner to the stage. As he had done on her new CD, Gary performed a Stevie Wonder like harmonica solo on the song “Can't Fall Out of Love.” It was wonderful not only listening to Gary's solo but watching Lili and Mike Kurman smile from ear to ear. Gary later came back on stage to ad-lib through the last song of the evening “The Way Out.” More fun was had when Lili and Gary did an exchange of riffs - vocal vs. harmonica . At one point, Lili turned to Mike and said something like “Damn, I didn't even know I could hit that note.”
Although Lili didn't do all the music on her CD, she did my favorite “Supposed to Be.” I not only find the song intriguing but think it's a new vantage point to the age old subject of wanting someone else to be something they are not. It was obvious that everyone in the audience was moved by Lili's heartfelt performance. The song was correctly placed as worth holding till close to the end of her set.
If reading about Lili Anel moves you to see one of her performances, I promise you will enjoy every note including the background voices her sister Barbara and I will be doing from the back of the room.
I Don't Need You This Way
One More Night
Won't I Your Stay
So Far Away
Can't Fall Out of Love
George Bailey's Lament
Supposed to Be
The Way Out